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ʕĪsà ʕUbayd, Muqaddima (1921)

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ʕĪsà ʕUbayd, Muqaddima (1921)
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قلنا إنّ هذا النوع حمل أصحاب الفرق على تغيير (ل) برنامجهم العادي ، 
qulnā ʔinna hāḏā al-nawʕ ḥamala ʔaṣḥāb al-firaq ʕalà taġyīr barnāmaǧi-him al-ʕādī, 
Above, we said that this kind [of theatre] has led the theatre directors to change [p. xii] their usual programs. 
AR: nawʕ, taġyīr
EN: … 
أمّا الذين أبوا تغيير رواياتهم بروایات مصرية وأصرّوا بعناد ساذج غبي على تمثيل رواياتهم المترجمة البعيدة عن ذوقنا المضادّة لمزاجنا 
ʔammā ’llaḏīna ʔabaw taġyīr riwāyāti-him bi-riwāyāt miṣriyyaẗ wa-ʔaṣarrū bi-ʕinād sāḏiǧ ġabiyy ʕalà tamṯīl riwāyāti-him al-mutarǧamaẗ al-baʕīdaẗ ʕan ḏawqi-nā al-muḍāddaẗ li-mazāǧi-nā 
[But not all of them did so.] Those, however, who refused to replace the [foreign] pieces with Egyptian ones and insisted, in stupid and naive stubbornness, [to continue] to stage foreign pieces, far removed from our taste, opposed to our mentality,1  
AR: taġyīr, riwāyaẗ, miṣrī (Miṣr / Miṣriyyaẗ), ʔiṣrār, ʕinād, sāḏiǧ (saḏāǧaẗ), ġabiyy (ġabāʔ), tamṯīl, tarǧamaẗ, ḏawq, mazāǧ
EN: our taste, our mentality 
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