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ʕĪsà ʕUbayd, Muqaddima (1921)

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ʕĪsà ʕUbayd, Muqaddima (1921)
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فإذا أراد أن يصوّر شابّاً يسِرّ إلى أذن حبيبته "أنشودة الشباب الخالدة" تراه يعمد إلى الخيال والتخمين والتكلّف ، 
fa-ʔiḏā ʔarāda ʔan yuṣawwira šābban yusirru ʔilà ʔuḏni ḥabībati-hī "ʔunšūdaẗ al-šabāb al-ḫālidaẗ" tarā-hu yaʕmidu ʔilà ’l-ḫayāl wa’l-taḫmīn wa’l-takalluf, 
When he, for instance, wants to describe a young man who whispers “the eternal song of youth” into his beloved’s ear, you see him making use of fantasy, guessing and mannerism; he lets the lover address his beloved with expressions that are devoid of individuality,1  
AR: taṣwīr, ḫālid (ḫulūd), ḫayāl, taḫmīn, takalluf
EN: fantasy, mannerism, individuality 
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