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Peer Gynt
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Norwegian: Nor Ibsen (1867)
English: Eng Archer (1892)
German: Ger Morgenstern (1901)
Hungarian: Hun Károly Sebestyén (1903)
Hungarian: Hun Áprily (1952)
Russian: Rus Карп (1972)
Chinese: Xiao Qian 萧乾 (1975)
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Peer Gynt
Title
Dramatis personæ
Stage
ACT I
Scene First, 0-140
0-10
11-20
21-30
31-40
41-50
51-60
61-70
71-80
81-90
91-100
101-110
111-120
121-130
131-140
Scene Second, 141-163
141-150
151-160
161-163
Scene Third, 164-348
163-170
171-180
181-190
191-200
201-210
211-220
221-230
231-240
241-250
251-260
261-270
271-280
281-290
291-300
301-310
311-320
321-330
331-340
341-348
ACT II
Scene First, 0-43
0-10
11-20
21-30
31-40
41-43
Scene Second, 44-79
44-50
51-60
61-70
71-79
Scene Third, 80-107
81-90
91-100
101-107
Scene Fourth, 108-109
Scene Fifth, 110-140
111-120
121-130
131-140
Scene Sixth, 141-248
141-150
151-160
161-170
171-180
181-190
191-200
201-210
211-220
221-230
231-240
241-248
Scene Seventh, 249-288
251-260
261-270
271-280
281-288
Scene Eight, 289-307
291-300
ACT III
Scene First, 0-1
Scene Second, 2-23
11-20
21-23
Scene Third, 24-87
31-40
41-50
51-60
61-70
71-80
81-87
Scene Fourth, 88-157
91-100
101-110
111-120
121-130
131-140
141-150
ACT IV
Scene First, 0-116
0-10
11-20
21-30
31-40
41-50
51-60
61-70
71-80
81-90
91-100
101-110
111-116
Scene Second, 117-119
Scene Third, 120-123
121-123
Scene Fourth, 124-125
Scene Fifth, 126-134
131-134
Scene Sixth, 135-161
141-150
151-160
161
Scene Seventh, 162-181
171-180
181
Scene Eight, 182-212
191-200
201-210
211-212
Scene Ninth, 213-214
Scene Tenth, 215-216
Scene Eleventh, 217-220
Scene Twelfth, 221-247
221-230
231-240
241-247
Scene Thirtenth, 248-331
251-260
261-270
271-280
281-290
291-300
301-310
311-320
321-330
331
ACT V
Scene First, 0-103
0-10
11-20
21-30
31-40
41-50
51-60
61-70
71-80
81-90
91-100
101-104
Scene Second, 104-161
111-120
121-130
131-140
141-150
151-160
161
Scene Third, 162-165
Scene Fourth, 166-221
171-180
181-190
191-200
201-210
211-220
221
Scene Fifth, 222-225
Scene Sixth, 226-241
231-240
241
Scene Seventh, 242-302
251-260
261-270
271-280
281-290
291-300
301-302
Scene Eight, 303-364
311-320
321-330
331-340
341-350
351-360
361-364
Scene Ninth, 365-396
371-380
381-390
391-396
Scene Tenth, 397-500
401-410
411-420
421-430
431-440
441-450
451-460
461-470
471-480
481-490
491-500
Back to library
PG
DOVREGUBBEN.
„Nok“, min søn, det kløvende, stærke
ord må stå i dit våbenmærke.
THE OLD MAN
My son, that “Enough,” that most potent and sundering
word, must be graven upon your escutcheon.
DER DOVRE-ALTE.
“Genug”,
mein Sohn, dies mächtige Scheid’wort,
Werde fortan Dein Leib- und Leitwort!
A DOVRE-VÉNE.
Ez elégben keress.
Boldogulást, jelszót czimerpajzsodnak.
DOVRE APÓ
Ez a választó “elég” szavunk legyen
intő jeligéd majd címereden.
Доврский старец
Упивайся! Что за чудесное слово!
Тверди его снова, и снова, и снова.
山妖大王
这一点不假，两者是有不少类似之处。可是早晨毕竟是早晨，晚上毕竟是晚上。只要你眼力好，那区别还是一目了然的。听我告诉你他们之间的区别何在。那边，在蓝天之下，人有句俗话：“人——要保持自己真正的面目。”这里，在山里，我们没工夫去考究这种伪善的道德原则，我们的说法是：“山妖——为你自己就够了。”
Nor Ibsen (1867) line no. 2,161
;
Eng Archer (1892)
;
Ger Morgenstern (1901)
;
Hun Károly Sebestyén (1903)
;
Hun Áprily (1952)
;
Rus Карп (1972)
;
Xiao Qian 萧乾 (1975)
;
Permanent link
http://www2.hf.uio.no/common/apps/permlink/permlink.php?app=polyglotta&context=record&uid=e5b958dc-a7bf-11e0-ab97-001cc4df1abe
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