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Peer Gynt
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Norwegian: Nor Ibsen (1867)
English: Eng Archer (1892)
German: Ger Morgenstern (1901)
Hungarian: Hun Károly Sebestyén (1903)
Hungarian: Hun Áprily (1952)
Russian: Rus Карп (1972)
Chinese: Xiao Qian 萧乾 (1975)
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Peer Gynt
Title
Dramatis personæ
Stage
ACT I
Scene First, 0-140
0-10
11-20
21-30
31-40
41-50
51-60
61-70
71-80
81-90
91-100
101-110
111-120
121-130
131-140
Scene Second, 141-163
141-150
151-160
161-163
Scene Third, 164-348
163-170
171-180
181-190
191-200
201-210
211-220
221-230
231-240
241-250
251-260
261-270
271-280
281-290
291-300
301-310
311-320
321-330
331-340
341-348
ACT II
Scene First, 0-43
0-10
11-20
21-30
31-40
41-43
Scene Second, 44-79
44-50
51-60
61-70
71-79
Scene Third, 80-107
81-90
91-100
101-107
Scene Fourth, 108-109
Scene Fifth, 110-140
111-120
121-130
131-140
Scene Sixth, 141-248
141-150
151-160
161-170
171-180
181-190
191-200
201-210
211-220
221-230
231-240
241-248
Scene Seventh, 249-288
251-260
261-270
271-280
281-288
Scene Eight, 289-307
291-300
ACT III
Scene First, 0-1
Scene Second, 2-23
11-20
21-23
Scene Third, 24-87
31-40
41-50
51-60
61-70
71-80
81-87
Scene Fourth, 88-157
91-100
101-110
111-120
121-130
131-140
141-150
ACT IV
Scene First, 0-116
0-10
11-20
21-30
31-40
41-50
51-60
61-70
71-80
81-90
91-100
101-110
111-116
Scene Second, 117-119
Scene Third, 120-123
121-123
Scene Fourth, 124-125
Scene Fifth, 126-134
131-134
Scene Sixth, 135-161
141-150
151-160
161
Scene Seventh, 162-181
171-180
181
Scene Eight, 182-212
191-200
201-210
211-212
Scene Ninth, 213-214
Scene Tenth, 215-216
Scene Eleventh, 217-220
Scene Twelfth, 221-247
221-230
231-240
241-247
Scene Thirtenth, 248-331
251-260
261-270
271-280
281-290
291-300
301-310
311-320
321-330
331
ACT V
Scene First, 0-103
0-10
11-20
21-30
31-40
41-50
51-60
61-70
71-80
81-90
91-100
101-104
Scene Second, 104-161
111-120
121-130
131-140
141-150
151-160
161
Scene Third, 162-165
Scene Fourth, 166-221
171-180
181-190
191-200
201-210
211-220
221
Scene Fifth, 222-225
Scene Sixth, 226-241
231-240
241
Scene Seventh, 242-302
251-260
261-270
271-280
281-290
291-300
301-302
Scene Eight, 303-364
311-320
321-330
331-340
341-350
351-360
361-364
Scene Ninth, 365-396
371-380
381-390
391-396
Scene Tenth, 397-500
401-410
411-420
421-430
431-440
441-450
451-460
461-470
471-480
481-490
491-500
Back to library
PG
LENSMANDEN
(som er kommen til).
Du bærer dig ad, min mand, så næsten
jeg tror din vej går bent i arresten.
THE BAILIFF
[who has come up]
You’re carrying on, my good man, so that almost
I think that your path will lead straight to the lock-up.
DER AMTMANN ,
(der hinzugekommen ist.)
Wenn Du noch lang’ Dich so gehen läßt,
Mein Mann, so führt Dein Weg zum Arrest.
ELÜLJÁRÓ.
(odalép).
Oly furcsa minden szavad, tetted.
Jó lesz, ha kissé hűvösre tetetlek.
A BÍRÓ
(aki odajött a csoporthoz)
Ha így viselkedel itt, alighanem
tömlöcbe vezet az utad, öregem.
Пристав
(только что появившись)
Ты, вижу я, парень, в таком тут раже,
Что лучше тебя содержать под стражей.
青年
让你的梦想见鬼去吧。
Nor Ibsen (1867) line no. 5,210
;
Eng Archer (1892)
;
Ger Morgenstern (1901)
;
Hun Károly Sebestyén (1903)
;
Hun Áprily (1952)
;
Rus Карп (1972)
;
Xiao Qian 萧乾 (1975)
;
Permanent link
http://www2.hf.uio.no/common/apps/permlink/permlink.php?app=polyglotta&context=record&uid=e74eef22-a7bf-11e0-ab97-001cc4df1abe
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