Girnār Mag IV,B(B) ta aja Devānaṃpriyasa Priyadasino rāño 3 dhaṃma-caraṇena [bhe]rī-ghoso aho dhaṃma-ghoso vimāna-darsaṇā ca hastida[sa]ṇā ca 4 agi-kh[a]ṃdhāni ca [a]ñāni ca divyāni rūpāni dasayitpā janaṃ
Girnār Eng(B) But now, in consequence of the practice of morality on the part of king Devānāṁpriya Priyadarśin, the sound of drums has become the sound of morality, showing the people representations of aerial chariots, representations of elephants, masses of fire, and other divine figures.
Kālsī Mag IV,B(B) s[e] ajā Devānaṃpiyasā Piyadasine lājine dhaṃm[a]cal[an]enā bheli-ghose aho dhaṃma-ghose vimana-dasan[ā] 10 [ha]thini agi-kaṃdh[ā]ni aṃnāni cā divyāni lupāni dasayitu jana[sa]
Kālsī Eng(B) But now, in consequence of the practice of morality on the part of king Devānāṁpriya Priyadarśin, the sound of drums has become the sound of morality, showing the people representations of aerial chariots, elephants, masses of fire, and other divine figures.
Shāhbāzgaṛhī Mag IV,B(B) [so aja Devana]ṃpriyasa Priyadraśisa [raño] 8 dhrama-caraṇena bheri-ghośa aho dhrama-ghośa vimanana[ṃ] draśanaṃ [a]stina joti-kaṃdhani añani ca divani rupani draśayitu janasa
Shāhbāzgaṛhī Eng(B) But now, in consequence of the practice of morality on the part of king Devānāṁpriya Priyadarśin, the sound of drums has become the sound of morality, showing the people representations of aerial chariots, elephants, masses of light, and other divine figures.
Mānsehrā Mag IV,B(B) 13 se aja [De]vanapriyasa Priyadraśine rajine dhrama-[ca]ra[ṇe]na bherighoṣe aho dhama-ghoṣe vimana-draśana asti[ne] agi-kaṃdhan[i] aña[ni ca] di[vani] rupani draśeti janasa
Dhauli Mag IV,B(B) 2 se aja Devānaṃpiyasa Piyadasine lājine dhaṃma-calanena bheli-ghosaṃ a[h]o dhaṃma-[gho]saṃ vimāna-dasanaṃ hathīni [a]gi-kaṃdhāni aṃnāni ca [di]vi[y]āni 3 lūpān[i] dasayitu munisānaṃ
Jaugaḍa Mag IV,B(B) 2 se aja Devānaṃpiyasa Piyadasine lājine dhaṃma-calanena bhe[l] .......... 3 divi[y]āni lūpāni drasayitu munisānaṃ
Dhauli & Jaugaḍa Eng(B) But now, in consequence of the practice of morality on the part of king Devānāṃpriya Priyadarśin, the sound of drums has become the sound of morality, showing the people representations of aerial chariots, elephants, masses of fire, and other divine figures.
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